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  1. Runtime 1 Hours 26 Min
  2. USA
  3. 149 votes
  4. genre Drama
  5. Cast Miranda Otto
  6. release date 2020

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Watch downhill movie online. Look up downhill in Wiktionary, the free dictionary. Downhill may refer to: Arts and entertainment [ edit] Downhill (1927 film) a British film by Alfred Hitchcock Downhill (2014 film) a British comedy directed by James Rouse Downhill (2016 film) a Chilean thriller directed by Patricio Valladares "Downhill. Kim Possible) an episode in the Disney TV series Kim Possible Downhill (2020 film) an upcoming comedy drama film directed by Nat Faxon and Jim Rash The Downhill, a 1961 Greek drama film Downhill (video game) a Commodore VIC-20 game Places [ edit] Downhill (beach) a beach in County Londonderry, Northern Ireland Downhill, Cornwall, a hamlet in the parish of St Eval, Cornwall, England Downhill, County Londonderry, a village and townland in Northern Ireland Downhill, Sunderland, a suburb of the City of Sunderland, Tyne and Wear, England Downhill, an area of Lincoln, England Sport [ edit] Downhill skiing, the sport of sliding down snow-covered hills on skis with fixed-heel bindings Downhill (ski competition) a specific kind of Alpine skiing Downhill mountain biking, a genre of mountain biking practiced on steep, rough terrain See also [ edit] All pages with titles containing downhill Down (disambiguation) Hill (disambiguation) Uphill (disambiguation.

Opens February 14, 2020 R, 1 hr 30 min Drama Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing Downhill (2020) near you. ENTER CITY, STATE OR ZIP CODE GO This movie releases on February 14, 2020. Sign up for a FANALERT and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. Downhill (2020) Synopsis Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Julia Louis-Dreyfus and Will Ferrell star in this biting comedy. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes.

Movie watch downhill youtube. Learn more More Like This Crime, Drama Thriller 1 2 3 4 5 6 7 8 9 10 7. 4 / 10 X A young woman, traumatized by a tragic event in her past, seeks out vengeance against men who cross her path. Director: Emerald Fennell Stars: Carey Mulligan, Bo Burnham, Laverne Cox Romance 8. 5 / 10 A woman working at her father's record store in Harlem in the late 1950s meets an aspiring saxophone player. Eugene Ashe Nina Ashe, Nnamdi Asomugha, Ryan Michelle Bathe Fantasy 8. 6 / 10 A reclusive man conducts a series of interviews with human souls for a chance to be born. Edson Oda Zazie Beetz, Bill Skarsgård, Winston Duke Comedy 6. 5 / 10 Based on the novel by Charles Dickens. Armando Iannucci Dev Patel, Hugh Laurie, Tilda Swinton Action 8. 1 / 10 An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him. Guy Ritchie Matthew McConaughey, Charlie Hunnam, Michelle Dockery 7. 3 / 10 The Bad Boys Mike Lowrey and Marcus Burnett are back together for one last ride in the highly anticipated Bad Boys for Life. Directors: Adil El Arbi, Bilall Fallah Will Smith, Martin Lawrence, Vanessa Hudgens Mystery 8. 9 / 10 Investigators are confounded over an unspeakable crime that's been committed. Yul Vazquez, Ben Mendelsohn, Jeremy Bobb An action epic revolving around international espionage, time travel and evolution. Christopher Nolan Robert Pattinson, Elizabeth Debicki, Aaron Taylor-Johnson Biography Music The life story of legendary R&B singer, Aretha Franklin. Liesl Tommy Forest Whitaker, Tate Donovan, Leroy McClain A family vacationing in the French Alps is confronted with a devastating avalanche. Ruben Östlund Johannes Kuhnke, Lisa Loven Kongsli, Clara Wettergren An agoraphobic woman living alone in New York begins spying on her new neighbors, only to witness a disturbing act of violence. Joe Wright Amy Adams, Jennifer Jason Leigh, Wyatt Russell Horror Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path. John Krasinski Cillian Murphy, Emily Blunt, Edit Storyline Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Inspired by the motion picture FORCE MAJEURE by Ruben Östlund. Written by Fox Searchlight Pictures Plot Summary Add Synopsis Taglines: A Different Kind of Disaster Movie. Details Release Date: 14 February 2020 (USA) See more  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Kristofer Hivju was also in the Swedish film 'Force Majeure' 2014) on which this film is based. See more ».

Movie watch downhill high. Nome da bike: bike de DOWNHILL O que eu ouvi: bike de da o Rio kkkk. Movie watch downhill free. U are so dues professionally. Movie watch downhill bikes. Downhill Theatrical release poster Directed by Nat Faxon Jim Rash Produced by Stefanie Azpiazu Anthony Bregman Julia Louis-Dreyfus Screenplay by Jesse Armstrong Based on Force Majeure by Ruben Östlund Starring Will Ferrell Music by Volker Bertelmann Cinematography Danny Cohen Edited by Pamela Martin Production company Likely Story Distributed by Searchlight Pictures Release date January 26, 2020 ( Sundance) February 14, 2020 (United States) Running time 86 minutes Country United States Language English Downhill is a 2020 American black comedy film directed by Nat Faxon and Jim Rash. The film is a remake of the motion picture Force Majeure by Ruben Östlund. Downhill had its world premiere at the Sundance Film Festival on January 26, 2020 and is scheduled to be released on February 14, 2020, by Searchlight Pictures, the first film to be released under the name following Disney's acquisition of Fox Studios. [1] Premise [ edit] After being scarred by an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Cast [ edit] Julia Louis-Dreyfus as Billie Staunton Will Ferrell as Pete Staunton Miranda Otto as Charlotte Zoë Chao as Rosie Zach Woods as Zach Kristofer Hivju Alex Macqueen Julian Grey as Finn Staunton Ammon Jacob Ford as Emerson Staunton Giulio Berruti as Guglielmo Production [ edit] It was announced in November 2018 that an English language remake of the Swedish film Force Majeure was to be directed by Nat Faxon and Jim Rash. Julia Louis-Dreyfus and Will Ferrell were cast to star. [2] Miranda Otto, Zoë Chao and Zach Woods joined the cast in December. [3] Filming began in January 2019 in Austria. [4] Release [ edit] Downhill had its world premiere at the Sundance Film Festival on January 26, 2020. [5] The film is scheduled to be released on February 14, 2020, replacing The King's Man ' s original release date. [6] Reception [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 46% based on 26 reviews, with a weighted average of 5. 67/10. The site's critical consensus reads: Fittingly named for a remake whose charms are dwarfed by its superior source material, Downhill is frequently. and frustratingly. less than the sum of its talented parts. [7] On Metacritic, the film holds a weighted average score of 53 out of 100, based on 14 critics, indicating "mixed or average reviews. 8] References [ edit] Vary, Adam B. (January 17, 2020. Disney Drops Fox Name, Will Rebrand as 20th Century Studios, Searchlight Pictures. Variety. ^ Wiseman, Andreas (November 2, 2018. Will Ferrell Joins Julia Louis-Dreyfus In Fox Searchlight's 'Force Majeure' Remake 'Downhill' Nat Faxon & Jim Rash To Direct. Deadline Hollywood. ^ N'Duka, Amanda (December 13, 2018. Miranda Otto, Zoë Chao, Zach Woods Join Julia Louis-Dreyfus & Will Ferrell In 'Downhill' At Fox Searchlight. Deadline Hollywood. ^ Parlevliet, Mirko (January 10, 2019. Julia Louis-Dreyfus and Will Ferrell Start Filming Downhill. Vital Thrills. ^ Siegel, Tatiana (December 4, 2019. Sundance Unveils Female-Powered Lineup Featuring Taylor Swift, Gloria Steinem, Abortion Road Trip Drama. The Hollywood Reporter. Retrieved December 4, 2019. ^ McClintock, Pamela (November 25, 2019. Julia Louis-Dreyfus and Will Ferrell-Starrer 'Downhill' Lands Valentine's Day Release. Retrieved November 25, 2019. ^ Downhill (2020. Rotten Tomatoes. Fandango Media. Retrieved January 30, 2020. ^ Downhill reviews. Metacritic. Retrieved January 30, 2020. External links [ edit] Downhill on IMDb Downhill at Rotten Tomatoes Downhill at Metacritic.

Movie watch downhill 2017. Isnt that the guy who plays Neils dad in inbeweeners uk version. (CNN) Downhill" is an unfortunate title for a film that starts out with an intriguing cast pairing (Julia Louis-Dreyfus, Will Ferrell) and premise, before going you know where. The bottom line is a plot intended to make one consider life's big issues merely reminds us it's too short to sit through movies as muddled as this. Definitely not a comedy. and indeed, the virtual opposite of a Valentine's Day movie. the film was adapted from the 2014 Swedish title "Force Majeure" by Nat Faxon and Jim Rash, in their directing debut, sharing script credit with Jesse Armstrong (the creator of HBO's "Succession. The story begins with Pete (Ferrell) and Billie (Louis-Dreyfus) on a ski vacation with their two sons in the Austrian Alps. They hit the slopes, and the movie hits the skids. While there appears to be a degree of tension in the couple's relationship. and Pete is clearly going through some things thanks to the death of his father months earlier. the trip is getting along well enough until a scary moment, when an avalanche suddenly strikes. While Billie sits stunned with the boys, Pete leaps to his feet and runs. Everyone's OK, but that single moment. his instinctive response to think of himself, not them, during a near-death experience. becomes a growing source of friction, one that continues to fester the longer it goes unaddressed. What ensues is a painful stretch of pregnant pauses and uncomfortable silences, in a movie that runs less than 90 minutes but feels much, much longer. (As an aside, Downhill" joins a list of clunkers that Disney inherited in its acquisition of 20th Century Fox, and is being released under the new Searchlight Pictures banner. It doesn't help that the few notable supporting characters. including Miranda Otto as a free-spirited hotel worker with a German war-movie accent. seem to have parachuted in from a different film, there solely to force the characters into situations that will prompt them to confront and reexamine their choices and lives. Their shared "Saturday Night Live" comedy chops notwithstanding, Louis-Dreyfus and Ferrell are certainly capable of pulling off the drama of a marriage in crisis, and she has one powerful scene in which her rage comes gushing out. For the most part, though, they're ill-served by the flimsy material, which leaves gaping holes in the characters. and thus clues to understand them. that even these earnest performances can't fill. Pete keeps quoting his late dad. who was fond of saying "Every day is all we have. to explain his upbeat "seize the day" mentality. Yet in his melancholy, he's clearly envious of a younger coworker ( Silicon Valley's" Zach Woods) who arrives at the resort with his girlfriend (Zoe Chao) touting a "no agenda" approach to life that speaks to Pete's dull ache over roads not taken and commitments made. Still, so what? Middle-age angst is a fertile topic, but "Downhill" doesn't bring anything fresh to the conversation. All it does, really, is make one marvel at how a project that must have looked promising on paper can quickly careen downward. like an avalanche, only here, in slow motion. "Downhill" premieres Feb. 14 in the US. It's rated R.

Movie Watch downhill. So, he did all of that just to get to a van. Movie watch downhill tv. Movie watch downhill bike. Movie watch downhill movie. Will Ferrell and Julia Louis-Dreyfus in the film Downhill. (Jaap Buitendijk/Fox Searchlight) TV sit-com icons dish up a trendy tale of toxic masculinity and female superiority. T elevision comedians Julia Louis-Dreyfus and Will Farrell have remade the Swedish art film Force Majeure as Downhill. It twists Ruben Östlunds 2014 existential domestic drama into a horror-comedy about an already broken marriage that falls apart during a family vacation in the Swiss Alps. The couples fraught tensions illustrate problems in the no-hope marital institution. Look closely and theres the deep spiritual collapse of American relations. But if you are accustomed to callow TV sitcoms, the irresolvable discord in Downhill might seem smart, funny, and hip. (I observed a curly-haired Millennial dude laughing at the shenanigans from beginning to end. The films hipness reduces Östlunds tragedy to a psychological Punch & Judy show: Farrells Pete is a dissatisfied, cowardly husband and father of two sons, while Louis-Dreyfuss Billie is a smart, strong-willed, protective, underserved mother and wife. Toxic masculinity vs. female superiority. Downhill epitomizes how television has usurped cinemas influence — particularly the mainstreaming of social attitudes and emotional perspectives. Östlunds film was distinguished by cinematic methods; meaning came from crafty visual presentation. In Force Majeure s signature scene of an avalanche approaching the inhabitants of a ski lodge, Östlund used space and momentum to create cosmic apprehension and suspense. That terror lingered throughout the movie. But Downhill s TV-trained American directors, Nat Faxon and Jim Rash, present the avalanche as merely the setup to the films running joke. They have no visual skill other than sitcom closeups and medium shots. They settle on a give-and-take emotional battle that goes back to TVs All in the Family (as well as the 1940s radio show The Bickersons) but with contemporary sarcasm. This films smarter-than-thou revelations of human foible, personal pretense, and selfishness suggest sketch comedy: Pete abandons his family when he sees the approaching avalanche, which incriminates him to Billie, who becomes increasingly hostile and distant. But this slickness lacks depth, even though Louis-Dreyfus and Farrell play it straight. Shes still Seinfeld s Elaine Benes, archetypal urbane harridan, and hes his usual beady-eyed wreck of a man. Her best scene, when Billie is alone and seduced by a young Italian ski bum (Giulio Berruti) recalls Juliette Binoches middle-aged sexual anxiety but is cheapened by Billies resorting to #MeToo bravado — a self-congratulatory sitcom reflex. TV formula is only part of Downhill s problem; its source material was shallow in different ways. Östlund took an Ingmar Bergman subject and gave it Stanley Kubrick cynicism — marriage seen without cultural or spiritual roots but as an art-movie experiment. Originally titled “Turist” to convey existential panic, Force Majeure also indicated inescapable fate. Downhill gets close to that only when Pete drunkenly confesses his marriages failure (“Science made us parents”. This sloppy, pathetic disclosure is a long way from Force Majeure or the frankness of Kubricks Eyes Wide Shut; it also betrays the humanist legacy of the American film to which Kubrick paid homage: Paul Mazurskys Blume in Love, a classic 70s comedy that explored shifting sex mores with admirable affection. Downhill takes TVs easy way out by shifting to trendy male-bashing, as in Billies demand to Pete: “If you dont like the way I see you, then show me something different. ” This appeasement to one-sided political correctness is how TV culture operates; its not emotionally exploratory cinema as with Kubrick, Mazursky, or those unnerving Alps sequences contrasting nature to personality in Ken Russells powerful film of D. H. Lawrences Women in Love. Faxon, Rash, Louis-Dreyfus, and Farrell show little imagination or originality. (Louis-Dreyfus is also the films producer, so Billie gets the final cruel quip. Their inadequate approach to sexual relations hides the greater tensions now stressing our culture. Thats the tragedy of cinemas being trivialized by TV-makers. This is not the golden age of television but the tarnished age of movies.

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Wenn ich du wäre würde ich mir eher ein Enduro bike kaufen Mittelklasse sind Giant, Top Santa Cruz Spezalized. The incoherence of “Downhill, ” the remake, by Nat Faxon and Jim Rash, of the Swedish director Ruben Östlunds 2014 drama “Force Majeure, ” is evident from the start. An American family, the Stantons—Billie ( Julia Louis-Dreyfus) and Pete (Will Ferrell) and their young sons, Finn (Julian Grey) and Emerson (Ammon Jacob Ford)—arrive at an Austrian ski resort. As they disembark from their tour bus, Billie notices that there are no other children among the swarm of vacationers; moments later, theyre greeted by Charlotte (Miranda Otto) a pushily enthusiastic Austrian host who, asked about the clientele, informs the Stantons that its not a place for children but, rather, “the Ibiza of the Alps, ” a pleasure dome for adults where she, flamboyantly libertine, intends to make sure that Billie and Pete get some of the pleasure. (She displays her intentions quickly, giving Billie a pair of hearty kisses on the cheek and, accidentally on purpose, giving Pete one on the lips. Who planned this trip? The movie is set in the present day, not in the pre-Internet age of word-of-mouth and published guidebooks. Pete is a real-estate executive; Billie is an attorney. It seems likely that theyd have researched their destination at least a little bit before booking it. In short, the very premise sets up such bewildering and undeveloped practicalities (Did Pete take charge and leave Billie out of the loop? Did he lie. that the movie is nearly over by the time its begun. Pete is on his cell phone when the Stantons get off the bus (and Billie is reproaching him for being on it) hes texting his younger colleague, Zach (Zach Woods) who is also on a European vacation—a spontaneous and impulsive one—with his similarly young girlfriend, Rosie (Zoe Chao) whose free-spirited temperament is in brash evidence on their Instagram posts. Pete seemingly envies his childless colleagues unencumbered life style and openly affectionate relationship. He also yearns for some guy-ish company and so lies to Billie that Zach is getting in touch with him when, in fact, its the reverse. At Petes prompting, Zach and Rosie eventually shift their plans to join the Stantons. This is all to say that the marriage of Billie and Pete is in trouble from the start, in ways that are both highly stereotypical and severely ill-defined. The Stantons have no politics, no culture, no family background, no range of experience, no interests, no habits, no expressions, no style—no substance and no depth. They are generic white upper-middle-class movie creatures, and Louis-Dreyfus and Ferrell are left to fill the emptiness of their roles with their own reserves of gesture and expression, empathy and curiosity. The event that brings the couples relationship problems to a head is the same as in “Force Majeure”: while the family is sitting on an outdoor mountainside deck, a controlled avalanche sends snow barreling down the slope, apparently right at the deck, sparking panic among the vacationers—and, in both films, the paterfamilias grabs his phone and bolts, rather than staying at the table to try to protect his family. (In “Force Majeure, ” he records the avalanche; in “Downhill, ” he doesnt. In both movies, the mans seemingly instinctive display of cowardice proves instantly corrosive to the marriage. Both films are variations on a theme by Ernest Hemingway—specifically, the one in “The Short Happy Life of Francis Macomber, ” a 1936 story (originally published in Cosmopolitan) about a couple of rich American socialites on a high-priced hunting trip in Africa, where Francis, in the presence of a charging lion, bolts, in full view of his wife, Margot; the white hunter, Robert Wilson, whos running the hunt; and the local black men who are Wilsons much-put-upon staff. Hemingways story quickly and deeply parses the couples intimate secrets and those of their set, the institutional organization of rich peoples safaris and the staffers who work for them, the psychology of cowardice and courage and the psychic overtones and romantic implications of both, not to mention even the inner lives of hunted and wounded animals. (For the record, a far better cinematic drama than “Force Majeure” and “Downhill, ” based on the same theme of Hemingway, is Julia Loktevs 2011 drama “ The Loneliest Planet. ”) Theres a mistaken notion, popular around Twitter, that “Force Majeure” is actually a comedy. “Force Majeure” is a satire, but its element of comedy is more derisive than funny. (It shares this quality with the films of Michael Haneke, whom Östlund often seems to be knocking off. “Force Majeure” masks its superficial and scattershot mockery of bourgeois moral conventions with a chilly style that leaves out his characters individual traits, interests, inclinations, and desires, just as Faxon and Rash do. In Östlunds approach, however, that spare and rigid reserve is a meaningful mannerism—it plays the role of a faux objectivity that masks the filmmakers facility as clarity, masks his derision as analysis, masks his contempt as critique. With “Downhill, ” Faxon and Rash (plus their co-writer Jesse Armstrong) prismatically split “Force Majeure” into two distinct strands—the faux sociological critique becomes pure and harsh domestic melodrama, and the element of mockery becomes out-and-out antic comedy thats applied to the story like goofy stickers. The character of Charlotte tosses off heavily accented malapropisms (informing the Stantons that they can get to the next town in “minutes of twenty”) along with stereotypical European licentiousness (describing sex as no more intimate than a handshake) and Billies effort at self-pleasuring in a public setting ends with pure though mild slapstick. Its the melodrama thats the core of the film, however, and here Faxon and Rash lapse all the more grievously into flattening stereotypes. So little is known of whats going on between Billie and Pete, from the start of the film, that her contempt for Pete after his cowardly showing is, rather than an element in their marriage, the entire story. When Pete returns to the table, finding Billie and the boys huddling in terror as the snow blows away, he compounds his act of cowardice with a double denial—refusing to admit that what theyd been through was anything serious or that hed ditched the family and run. This attempted gaslighting of his family gives rise to the one notable moment in the film, one in which the melodrama veers toward comedy and then sharply back into pathos—a scene in which Billie, in the presence of friends, calls on the boys to deliver their version of what Pete did during the avalanche. Its a moment that could have set the movie off in new and odd directions. Instead, it stands apart and stands out as a mere plot point, one that is dropped as quickly as its presented. (It pops up again later, similarly conveniently, briefly, and inconsequentially. The failure of Faxon and Rash mirrors that of Östlund in “Force Majeure”: a too-easy sense that they can recognize and define characters by their type. Just as the main dramatic moment in both films is a whiteout, with the screens details obliterated by a barrage of snow, the characters and the milieux that the “Downhill” filmmakers depict are similarly blanked out by a tightly controlled fabrication. They know these people so well, so they think, that their familiarity breeds something as aesthetically dreadful as Östlunds contempt: indifference.

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Watch downhill racer movie. Prices for Downhill bikes are Awesowe. Oiiii Thi eu te amo muito sou muito sua fa porfavor me nota primeira a comentar😍😊. Will Ferrell and Julia Louis-Dreyfus star in the new dark comedy Downhill. Fox Searchlight Pictures hide caption toggle caption How about this movie plot for Valentine's Day: A family are on vacation atop picturesque slopes in the Alps. Pete and Billie — played by Will Ferrell and Julia Louis-Dreyfus — grab a hot lunch at the ski resort with their kids, when suddenly, a wall of snow pummels down a mountain. An avalanche is heading straight for their family. And when the snow clears, Will Ferrell's character, Pete, is gone. I mean — Pete's safe. It's just that, well, he ditched the rest of his family to save himself. This new dark comedy is called Downhill, and it's a remake of a Swedish film called Force Majeure, about a marriage teetering on the edge. But in real life? I'd say Julia Louis-Dreyfus never has to worry about her friend Will leaving her side. "I'm like an emotional support animal. Ferrell says. "I travel with Julia for emotional support. I dress as an animal. I have him on a leash. Louis-Dreyfus chimes in. Clearly, they're just as comfortable on the radio as they are on-screen. But get this: Julia Louis-Dreyfus and Will Ferrell — two of the most celebrated comedic actors of our time — had never met until making this movie. They joke that they're both "formal people" who still prefer to address each other as Ms. Louis-Dreyfus and Mr. Ferrell. Interview Highlights On what they admire about each other's work JLD: I have to tell you, there's nothing that Will has done that I haven't thoroughly enjoyed. And that's the truth. And I would say that even if he weren't sitting here. I love everything that Will has done. I get such a kick out of seeing his commitment to character. in very broad ways and in very small ways, both. It always works because he's authentic. WF: I'm not so familiar with Julia's work. [laughter] So when I met her, well, I had to look up her IMDB to see what she looked like. I have to say, the thing that, in terms of watching Julia work, is that how strong she is in a man's comedy world in a way, especially holding her own with the cast like Seinfeld, obviously, and just same sort of thing, same kind of commitment to character. I mean, that's kind of the one things we shared in sitting down with each other was the same approach to comedy — which folded into the same approach to drama, which was coming from a place of truth, coming from a place of honesty, and just naturally having that shared belief that made it so easy. Louis-Dreyfus on being a woman in "a man's comedy world" I look at myself as a woman in a man's world, period. You know, let's face facts. You guys are ruling the place. And that's not gonna last much longer because we're pretty sick of this. On Downhill 's messy, complicated depiction of a marriage JLD: Well, relationships are messy and complicated, generally speaking, and we explore all of that in this movie. Because the fact is, her partner took off. That is bigger than an avalanche. And what does it mean? And did I even see what I just saw? WF: Well, and it's a lot of of my character Pete's doing. He keeps throwing up obstacles to avoid discussing this event in which he knows he has not behaved honorably. JLD: It makes it so much worse. I think about this movie and I think if he had still done that — WF: But then come around the corner and said — JLD: Oh my god, I cannot believe what just happened. WF: That was awful. If you hate me forever, I get it. JLD: Yeah. Then it's a different story. WF: But his ego can't take the fact that he actually did that, and the shame is so white-hot. On how their own experiences added to the movie JLD: We're both now in long marriages with kids. So we certainly understand in our bones what that is. And also, I think I can feel what it might be like, not because it's happened to me, but because I'm so trusting of my husband. If he behaved in a certain way that undermined my experience with him to this point, you know, if he all of a sudden revealed himself to be not the man I've known for 30 years, that would rock my world like nothing else. WF: And the same for me — with the love and respect I have for my wife, the sadness and shame I would feel if I behaved in the way that Pete had; I was able to kind of really put myself there and just feel like just a horrible human being. JLD: Shame is definitely a cast member in this movie. On taking on roles people aren't expecting from them JLD: Sure. But that's the fun of it, right? I mean, you know, we're not here to play it safe. And the material was delicious. And we were ready to eat it up. This story was produced for radio by Danny Hajek and Arezou Rezvani, and adapted for the Web by Petra Mayer.

Movie watch downhill season. Critics Consensus Fittingly named for a remake whose charms are dwarfed by its superior source material, Downhill is frequently. and frustratingly. less than the sum of its talented parts. 48% TOMATOMETER Total Count: 27 Coming soon Release date: Feb 14, 2020 Audience Score Ratings: Not yet available Downhill Ratings & Reviews Explanation Downhill Videos Photos Movie Info Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Inspired by the motion picture FORCE MAJEURE by Ruben Östlund Rating: R (for language and some sexual material) Genre: Directed By: Written By: In Theaters: Feb 14, 2020 limited Runtime: 85 minutes Studio: Fox Searchlight Pictures Cast News & Interviews for Downhill Critic Reviews for Downhill Audience Reviews for Downhill There are no featured reviews for Downhill because the movie has not released yet (Feb 14, 2020. See Movies in Theaters Downhill Quotes News & Features.

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